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Description
Animated Version:
I’m so happy I made this model for many reasons. Both personal and technical reasons.
Season 7 Episode 13 of My Little Pony: Friendship is Magic is currently tied for first place in my personal list of MLP episodes. I won’t dive too deep into why it connects with me so much, but I will says that I did lose my father at a young age, but I am forever grateful that I see my mom every day to this day.
Creating this model challenged me when it came to creating the mesh for the mane. This was something I was afraid of doing specifically for Pinkie Pie with the poofy and curly hair, but now that I’ve done this, Pinkie Pie’s going to be a cakewalk compared to this. The mane mesh is one of the best pieces of modeling work I’ve done so far, and I’m proud of it despite me feeling like I have a really hard time trying to understand Pear Butter’s mane in 3-Dimensions.
I have also learned how to make my models look a whole lot better through the materials. A while back I received criticism that I should be using Sub-Surface Scattering. At the time, I was like “I don’t really know how to implement that into my materials, but I’ll learn how to do that maybe sometime way later” or something like that. And I should have listened to that way sooner. Sub-Surface Scattering makes the pony model look way more alive and real and more pleasant to look at. It’s quite fantastic.
Without Sub-Surface Scattering, a scene like this would have been impossible to pull off well:
(Sub-Surface Scattering is most noticeable here with her right ear, the light passes through it due to how thin it is, which is more realistic.)
If you wish to support me, here’s my Patreon link:
https://www.patreon.com/djthed
I’m so happy I made this model for many reasons. Both personal and technical reasons.
Season 7 Episode 13 of My Little Pony: Friendship is Magic is currently tied for first place in my personal list of MLP episodes. I won’t dive too deep into why it connects with me so much, but I will says that I did lose my father at a young age, but I am forever grateful that I see my mom every day to this day.
Creating this model challenged me when it came to creating the mesh for the mane. This was something I was afraid of doing specifically for Pinkie Pie with the poofy and curly hair, but now that I’ve done this, Pinkie Pie’s going to be a cakewalk compared to this. The mane mesh is one of the best pieces of modeling work I’ve done so far, and I’m proud of it despite me feeling like I have a really hard time trying to understand Pear Butter’s mane in 3-Dimensions.
I have also learned how to make my models look a whole lot better through the materials. A while back I received criticism that I should be using Sub-Surface Scattering. At the time, I was like “I don’t really know how to implement that into my materials, but I’ll learn how to do that maybe sometime way later” or something like that. And I should have listened to that way sooner. Sub-Surface Scattering makes the pony model look way more alive and real and more pleasant to look at. It’s quite fantastic.
Without Sub-Surface Scattering, a scene like this would have been impossible to pull off well:
(Sub-Surface Scattering is most noticeable here with her right ear, the light passes through it due to how thin it is, which is more realistic.)
If you wish to support me, here’s my Patreon link:
https://www.patreon.com/djthed
someone is working on it
See, now it needs to be 3D printed. From this model.
Either robots or genetic engineering.
Then pones can be real.