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The show still has shadows on the background. :V
Also, I have no idea what the actual source on these images is, but the lines are all jagged as fuck with sharp pixel-y edges, like someone converted it to a limited color bitmap, put it in MS paint, resized it to half scale then stretched it back out again.
Yeah, that would be bad if the art was like that.
I just think Zahler deserves a little more credit; I certainly appreciated both dinner scenes. Then again, I appreciate any artist who conveys scenes with minimal word bubbles.
To be fair, Jill’s drawings tend to more realistic-ish compared to MLP.
The main 6 reactions on the first cover are varying degrees of, :o,D:,:[, :0.
Yeah, that’s why I said he wasn’t as bad as the cover I posted below.
Look at this cover.
Look at this one, for the exact same issue:
Neither are in the show’s style, but the first one…there’s a difference between artistic style and just not looking at the character you’re supposed to draw.
Yeah, but they have models to base things off of, and the first few main comics aren’t flat.
The SHOW is completely flat coloring.
@-_-_-_-_-
Well they’re two different artists, of COURSE they have different artstyles.
It is far more simple than the one of the main comic, so it is kind of an artistic whiplash. As a guy who has been connect to the comic world and see art styles change like caterpillars to butterflies and viceversa, I don’t get what the fuss is about except for some very odd fragments, but for the most part the art is solid if not terribly complex.
Great story, though.
WHats so terrible about the art?