Policy Update - Rules changes incoming for AI content - Read Here
Interested in advertising on Derpibooru? Click here for information!
Sky Railroad Merch Shop!

Help fund the $15 daily operational cost of Derpibooru - support us financially!

Description

This is the best part of the brony documentary

safe2271834 artist:jan661 oc1000913 oc:professor lancie21 pony1704718 unicorn583699 let's go and meet the bronies26 g42130643 animated131981 blushing296661 bronies: the extremely unexpected adult fans of my little pony50 bronydoc78 clothes680958 heart83385 john de lancie243 male587473 skeleton2702 solo1508859 stallion212227
Source

Comments

Syntax quick reference: **bold** *italic* ||hide text|| `code` __underline__ ~~strike~~ ^sup^ ~sub~

Detailed syntax guide

Background Pony #6570
He got five times as much as was needed to make the documentary from the kickstarter, how much more money would he need?
Muffinshire
Cool Crow - "Caw!" An awesome tagger
Magnificent Metadata Maniac - #1 Assistant
The Power of Love - Made a piece of artwork loved by 1000 users
An Artist Who Rocks - 100+ images under their artist tag
Artist -
The End wasn't The End - Found a new home after the great exodus of 2012

@Background Pony  
That’s how movies work. As John de Lancie explained in this letter, you need to pay for equipment hire, insurance, lawyers, transportation and various other expenses up-front regardless of whether the project makes a profit or not. On a big Hollywood movie a studio would put up that investment hoping to make a return if the film turns a profit; on an independent film, there might be investment from the people involved in the project, or from outside investors. In this case, it was a community Kickstarter that funded it, which differs from traditional investment in that the contributors don’t expect to get a financial reward, so it’s more of a “donation” in hopes of seeing something they want actually get made, rather than an “investment”. The writer, director, producers and John de Lancie himself all deferred their salaries until the documentary turns a profit, as is typical in most film projects.